About Cihua Mazatl

Artist 

Cihua Mazatl

Artist · Writer · Ceremonialist · Educator

By right of being a human being we are artists first. Extensions of creation.


Artist Statement

In xochitl, in cuicatl

There is a Nahuatl saying: In xochitl, in cuicatl. Flower and song.

To me, it speaks to the many ways human beings create and find meaning. We paint, dance, write, sing, tattoo, weave, drum, gather around fire, and tell stories. By right of being a human being, we are artists first. Extensions of creation.

I believe art is among humanity's earliest ritual acts of devotion. Long before it was separated into disciplines or institutions, creativity offered a way to make meaning, preserve memory, enter into kinship, and understand our place within the living world.

I have never understood creativity as something confined to a single medium. My work explores personal storytelling, mythology, Indigenous philosophies, and the symbolic imagination through painting, writing, ceremony, research, divination, publishing, and education. I approach them as related practices that continually inform one another.

Through image-making, ritual, and relational ways of learning, I investigate themes of identity, ancestral veneration, feminine archetypes, firekeeping, and humanity's relationship with the natural world. Much of my recent work is grounded in the Tonalpohualli as a living philosophy through which to explore creativity, observation, reciprocity, and connection.

For many years I returned repeatedly to the image of the solitary woman. My paintings often depicted women alone in landscapes, beneath open skies, or surrounded by stars. It took years before I understood these figures were seeking after the same question. Today my work has evolved into intentional bodies of work exploring storytelling, firekeeping, Tlazolteotl, the Tonalpohualli, and the exchanges that shape our lives.

Over time I realized that the paintings, writings, journals, ceremonies, retreats, educational offerings, and conversations were all connected pursuits. They were all expressions of the same body of questions. That evolving body of work eventually became Cihuateotcalli.

At the heart of my practice is the belief that creativity is not separate from life. It is one of our oldest ways of studying, reclaming, healing, and participating in the world.

Art is a sacred act of reclamation, rediscovery, and return.

Biography

Jessica Santiago · Cihua Mazatl

The name given to me by my mother is Jessica Santiago. I was named after the kindness she received when she first arrived in the United States at seventeen years old. Cihua Mazatl (Deer Woman) is the name later given to me and planted in the earth during my own journey of reclamation and healing.

Born on Kumeyaay land in San Diego, California, and raised between Southern California and Mazatlán, Sinaloa, my life has been formed by movement between cultures, places, and ways of understanding the world. Raised by a young immigrant mother, creativity became both refuge and inheritance.

I earned a Bachelor of Arts in Psychology while studying Studio Art at the University of California, San Diego before continuing graduate studies in Expressive Arts Therapy at the European Graduate School in Saas-Fee, Switzerland. My formal education continues to inform a practice that views creativity as a way of knowing.

Alongside these studies, I have spent more than two decades cultivating a creative and intuitive practice through painting, writing, tarot, ceremony, and community work. Thousands of conversations through divination, years of facilitating circles, and ongoing arts-based research have continually reinforced a simple observation that beneath our different lives, many of us are seeking meaning, belonging, purpose, and integrity.

My ancestral reconnection journey eventually led me into deeper relationship with the Mexicayotl, the Tonalpohualli, Nahuatl studies, Indigenous philosophies, and the Chicano movement. These continue to shape my work while remaining part of an ongoing process of study.

Today my work spans painting, writing, publishing, education, retreat facilitation, divination, ceremony, and community practice. Whether creating a painting, designing a journal, teaching from the Tonalpohualli, or facilitating Aguas Sagradas, I approach each project as another expression of a single philosophy centered on creativity, connection, stewardship, and lived experience.

Selected Curriculum Vitae

Path & Practice

Education

Bachelor of Arts · Psychology University of California, San Diego
Studio Art Studies University of California, San Diego
Graduate Studies · Expressive Arts Therapy European Graduate School · Saas-Fee, Switzerland

Creative Practice

  • Painting
  • Drawing
  • Printmaking
  • Jewelry
  • Electroforming
  • Sculpture
  • Tattoo
  • Textile Arts
  • Writing
  • Poetry
  • Graphic Design
  • Book Design
  • Publishing
  • Podcasting
  • Tarot
  • Tonalpohualli
  • Arts-Based Research
  • Ceremony
  • Teaching
  • Retreat Facilitation
  • Public Speaking
  • Community Organizing
  • Mutual Aid

Selected Works

Publications & Media

Books

Tlahtolli Oracle: Divinations for Night and Day
2024

Journals & Calendars

Sacred Count Agenda · 2025, 2026

Cualli Tonalli Journal· 2026

Featured Publication

Nepantla Divina
Curated by Dulce Stein
Edited by Brenda Vaca 2026

Podcast

Offerings of Copal
2024–Present

Selected Exhibitions

Exhibitions & Cultural Programs

2025

XICANA!

California Center for the Arts, Escondido
June 21 – November 2, 2025

2025

Resurrection en Mictlan

Annual Group Exhibition| Galeria Mestizaje Aztlán Libre.

2023–2026

Chicana Annual Art Exhibition

Annual Group Exhibition| Galeria Mestizaje Aztlán Libre.

2022–2025

Mictlan Annual Día de los Muertos Exhibition

Annual group exhibition| Galeria Mestizaje Aztlán Libre.

 

Education & Facilitation

Teaching & Public Programs

Teaching Practice

  • Founder, Cihuateotcalli
  • Facilitator, Aguas Sagradas
  • Intro to Tarot
  • Advanced Tarot
  • Tonalpohualli Study
  • Heart-Centered Guidance
  • Creative Practice Workshops
  • Connection-Centered Learning
  • Experiential Art-Making and Reflection
  • Retreat and Circle Facilitation

Selected Talks & Programs

  • What is Chican@?
    Panel Discussion · Aztlán Libre · 2026
  • Xicana! Chicana Art in Context
    California Center for the Arts, Escondido · 2025
  • Guest Storyteller
    Chicano Youth Camp · 2024–2025
  • Community talks and pláticas
  • Online study circles and guest speaking
  • Creative and symbolic education
  • Workshops in Indigenous philosophy and relational study

Community Practice

Beyond the studio

My work has always extended beyond the studio. Community practice remains inseparable from my creative life and continues to shape the philosophy of Cihuateotcalli.

  • Firekeeping and ceremonial participation
  • Danza Mexica Chichimeca
  • Youth storytelling
  • Archive contributions
  • Mutual aid
  • Community fundraising
  • Community blessings
  • Free Full Moon circles
  • Community Temazcal gatherings
  • Environmental stewardship
  • Park cleanups
  • Protest participation
  • Cultural preservation projects
  • Danza Azteca Directory
  • Somos La Voz nonprofit work · 2025
  • Collaborative cultural programming

Visual Practice

Selected Works

A selection of paintings, adornment, and publications from across my creative practice.

Bodies of Work

Selected Projects

Cihuateotcalli

A philosophy of study and creative practice exploring connection, observation, and lived experience.

Aguas Sagradas

A relational intensive centered on water, creativity, place, and community in Oaxaca.

Offerings of Copal

A podcast exploring spirituality, creative practice, story, and Indigenous thought.

Tlacuilolli del Fuego

A monthly mail-based art and writing practice of reflection, fire, and correspondence.

Tlahtolli Oracle

A published oracle in book form for palabra, symbolic reflection, and divination for night and day.

Sacred Count

Calendars, agendas, and companion tools for living with the Tonalpohualli.

Cualli Tonalli Journal

A daily companion for observing the sacred count, recording patterns, and cultivating relationship with time.

Tlazocamati for taking the time to visit my studio.